The Best Software for
Live Teaching on a Digital Board.
Almost every guide to this answers the wrong question. The software matters far less than one fact about your audience: they are watching on a six-inch phone, not your monitor. Get that right and free tools are enough. Get it wrong and no purchase will save the class.
Amit Ratan
Founder & CEO, AllCoaching
Published August 7, 2026 · 19 min read · Studio & Equipment
The board you are looking at and the board your student is looking at are not the same board. Almost every problem in digital-board teaching lives in that gap.
The best software for live teaching on a digital board is, for most Indian educators, OpenBoard as the writing surface, shared live through your class platform, with every board exported as a PDF page afterwards — a stack that costs nothing. But the software choice is not what decides whether your class works, and treating it as the decision is why so many teachers buy hardware, install three applications, and still lose students in the second week. The variable that actually determines success is smaller and stranger than any feature list: how thick your pen strokes are.
The reason is that a digital board is not a board. It is a video feed, and the person receiving it is almost certainly on a phone. In India that is not a minor demographic detail — mobile is the dominant way students attend online classes, and a board designed on a twenty-four-inch monitor arrives on a six-inch screen at roughly a quarter of the size you were looking at. Everything you found comfortably readable becomes marginal, and everything marginal becomes invisible. The student does not complain about this. They simply stop being able to follow, decide the class is hard, and quietly disengage.
Across the educators onboarding on AllCoaching in 2026, board-teaching problems arrive described as software problems — "which app is best", "should I buy a bigger panel" — and resolve as calibration problems almost every time. This guide covers the software honestly, because the question deserves a real answer, but it puts the calibration first, because that is where the class is actually won or lost.
Key Takeaways — the entire post in six facts:
The free stack is enough — OpenBoard for writing, your class platform for delivery, PDF export for notes. Paid software rarely fixes what is actually broken.
Calibrate for a six-inch phone, not your monitor — thicker strokes, larger text, and roughly 6–8 lines per board before turning the page.
Google Jamboard is discontinued — app and hardware both. Do not build a workflow on it; prefer tools you can export from.
An interactive flat panel does not improve an online class — a ₹2,500–₹4,500 pen tablet produces the same output on the student's screen.
Every board is a PDF page you could sell — most teachers erase their entire year of teaching output instead of publishing it as chapter-wise notes.
On AllCoaching the studio is ₹0 — live classes with attendance, board notes published to a batch, no card at signup, flat 10% only on what you sell.
₹0
Cost of the software stack
6–8
Lines per board, maximum
3
Jobs the software must do
1
Phone check that fixes most of it
"No student has ever left a class because the whiteboard software was not premium enough. They leave because they could not read what was on it and were too polite to say so."
— The principle behind every digital board setup
Your Student Is Watching on a Phone
Start here, because it reorders every other decision. When you teach on a digital board, you are looking at a large monitor at arm's length with your own handwriting at a comfortable size. Your student is holding a phone, often at a lower video resolution than you are producing, sometimes on a connection that is compressing the feed further. The board that reaches them is a shrunken, softened version of yours.
What you see
A wide, crisp board · your natural handwriting size · fifteen or twenty lines of a derivation visible at once · thin pen strokes that look elegant · small annotations in a corner · colour differences that are obvious.
What the student sees
The same board at roughly a quarter of the size · handwriting near the limit of legibility · a wall of text they cannot parse · thin strokes that break up under compression · corner annotations that are gone · light colours that vanish against white.
The practical fixes are unglamorous and cost nothing. Increase the pen thickness well beyond what looks right to you — on a large monitor a properly calibrated stroke will look slightly crude, and that is the correct setting. Write larger than feels natural. Cap yourself at roughly six to eight lines per board and turn the page rather than shrinking to fit, which is what an infinite canvas is for. Use dark, saturated colours only; light blue and yellow that read fine on your screen disappear entirely after compression.
The one check that fixes most of this. Before your next class, start the session, join it yourself on your own phone, and write a typical line of your subject on the board. Look at your phone, not at your monitor. Adjust stroke weight and size until it is comfortable at arm's length on that phone, then leave those settings alone forever. This takes four minutes and will do more for your teaching than any software upgrade you are considering.
Question Often Asked
Should I buy a bigger digital board so students can see more?
No — and this is the most expensive misunderstanding in the category. The physical size of your board has no effect whatsoever on what the student sees, because they are not looking at your board; they are looking at its software output, scaled to fit their screen. A seventy-five-inch interactive panel and a small pen tablet produce a pixel-identical feed if the software and settings are the same. Buying a larger panel changes your own comfort while writing, which is a real benefit for in-person classrooms and irrelevant for online ones. If your students cannot see clearly, the fix is stroke weight and lines-per-board, and it is free.
· · ·
The Three Jobs the Software Must Do
Once calibration is settled, the software question becomes tractable, because a digital-board setup only has to do three things. Most teachers evaluate tools on a jumble of features; evaluating on these three separates the choice cleanly.
1
Job one
The writing surface
Where you actually write. What matters is an infinite canvas or unlimited pages, so a long derivation never forces you to erase mid-solution; the ability to import a PDF or image and annotate over it, which is how question-solving actually works; and pen behaviour that does not lag.
2
Job two
Live delivery
How the board reaches the student in real time — either shared directly as a window through your class platform, or composited with your camera into one feed. Simpler is almost always better here, because this is the component that fails five minutes before class.
3
Job three
Capture and publish
Saving each finished board as an image or PDF page, automatically, and getting those pages to students afterwards. This is the job almost every teacher skips, and it is the one that turns a class into an asset rather than an event that evaporates.
Notice that no single application does all three well, which is why the honest answer to "what software should I use" is a small stack rather than a product name. Whiteboard applications are built for writing and are poor delivery platforms; class platforms are built for delivery and their built-in whiteboards are usually too thin for sustained teaching. Trying to force one tool to do both is the most common source of frustration in this category, and it is worth simply accepting the split.
· · ·
The Options, Honestly Compared
Here are the realistic choices for the writing surface, judged on the three jobs above rather than on marketing. All of the ones worth recommending are free, which is worth saying plainly because this is a category where teachers routinely assume paid must be better.
SoftwareCostBest forThe honest limitation
OpenBoardFree, open sourceSustained teaching — derivations, PDF annotation, unlimited pagesDesktop only; interface feels dated at first
Microsoft WhiteboardFree with accountDiscussion, quick diagrams, collaborationThin for long structured board work
ExcalidrawFree, browser-basedDiagrams, flowcharts, concept sketchesNot designed for handwriting-heavy subjects
A note app (OneNote and similar)Free tierTeachers already living inside their notesPage structure fights you during live class
Your class platform's built-in boardIncludedOccasional annotation, one-off explanationUsually no export, limited pages
Google JamboardDiscontinuedNothing — Google shut down the app and hardwareDo not build a workflow on it
For most Indian educators teaching a handwriting-heavy subject — mathematics, physics, chemistry, accountancy — OpenBoard is the right default. It is free and open source, it was built for teaching rather than adapted to it, it handles unlimited pages, and critically it lets you import a question paper or textbook page and write over it, which is what solving actually looks like. Its interface is unfashionable and takes an evening to get used to; that is the entire cost.
The row worth pausing on is the last one. Google discontinued Jamboard — both the application and the hardware — and yet it still appears in guides and in teachers' search histories, which means people are building setups on a tool that no longer exists. The broader lesson generalises well beyond this one product: prefer software you can export from. A tool you can export PDFs out of costs you a migration when it shuts down; a tool that locks your boards inside itself costs you your back catalogue. The free recording and whiteboard landscape more broadly is mapped in best free tools for teachers to record lectures.
· · ·
What Hardware You Actually Need
Hardware deserves a short section rather than a long one, because for online teaching it matters far less than the category's marketing suggests. The full equipment question — camera, microphone, lighting, the whole kit — is worked through in our budget home studio setup for online teaching; here the only question is what you write on.
There are three tiers, and the gap between them is smaller than the price gap implies. A pen tablet — a pad you write on while looking at your monitor — is the entry point, with entry-level options such as the XP-Pen Star G640 and Wacom CTL-472 in the ₹2,500–₹4,500 range. A pen display, where you write directly on a screen, removes the hand-eye separation and costs several times more. An interactive flat panel is a classroom device at classroom prices, and for online teaching it is, as covered above, almost entirely beside the point.
Question Often Asked
Is a pen tablet hard to get used to?
For most teachers it takes a few hours of real practice, not weeks — but it is genuinely disorienting for the first thirty minutes, and that first half hour is where most people conclude they need to spend more money. The difficulty is hand-eye separation: your hand moves on the pad while your eyes watch the monitor, which your brain resolves surprisingly quickly, in much the same way it resolved using a mouse. The practical advice is to do your adaptation off-air — write out a full lesson's worth of notes on it before you teach a live class on it — so that the awkward phase is not witnessed by students. If it still feels wrong after two weeks of real classes, that is a genuine signal to consider a pen display, and only then.
One caution about touchscreen laptops and tablets used with a finger or a cheap stylus. Without proper palm rejection, resting your hand on the surface produces stray marks, and the constant correction is more disruptive to a class than writing slightly awkwardly on a pad. If you are teaching from a tablet, use its purpose-built stylus. If you do not have one, a ₹2,500 pen tablet attached to a laptop will produce cleaner boards than a finger on a touchscreen, every time.
· · ·
Wiring It for Live — the Delivery Half
You have a board and something to write with; now it has to reach students while you teach. There are two approaches, and the right one is almost always the less impressive of the two.
Direct window sharing means running your whiteboard application and sharing that window through whatever platform hosts your live class. It is simple, it has the lowest latency, there is nothing extra to configure, and it fails rarely. Compositing means running OBS Studio, arranging board and camera and titles into a designed layout, and sending that single feed. It looks more professional and gives you control that sharing cannot — a camera inset so students see your face while you write, for instance — at the cost of setup effort, CPU load, and one more component that can break at 6:58 pm.
The honest recommendation
For live classes, share the window directly. Reliability beats production value when thirty students are waiting and you cannot debug.
For recorded lectures, use OBS Studio. A retake costs nothing, so the extra polish is worth the extra fragility — and OBS is free.
Learn OBS in a week with no class scheduled, not on the evening you first need it.
Keep a fallback. Know how to share a plain window if the composited setup fails, and tell students the class will start on time either way.
On the platform that actually hosts the live session, the practical requirement for a board teacher is narrow: students should be able to join on a phone without friction, attendance should be recorded, and the session should be capturable. The mobile-delivery side of that is covered in how to conduct live classes on mobile apps, and it matters more than the board software does — because a student who cannot join reliably never sees your beautifully calibrated strokes at all.
· · ·
Turn Every Board Into Sellable Notes
This is the section that most digital-board guides omit entirely, and it is the one with money in it. Consider what happens to your boards today: you write them during class, and then they are erased, closed or forgotten. A teacher taking four classes a week produces something like four hundred boards across an academic session, and almost all of them are thrown away.
Those boards are, materially, the thing students most want after class. Not the recording — recordings are long, and a student looking for one step in one derivation will not scrub through ninety minutes to find it. What they want is the page. The chapter, written in your hand, in the order you taught it, in a form they can scroll on the phone they are already holding. That artifact costs you nothing additional to produce, because you already produced it while teaching. It costs only the discipline of exporting it.
"You are already manufacturing the product. The only question is whether you publish it or erase it at the end of every class."
Mechanically this is simple. Set your whiteboard software to export the session — OpenBoard can save a whole session as a PDF document — and make it automatic rather than a thing you remember. Then upload the day's pages into your studio, attached to the batch, so enrolled students get them as part of what they paid for. Over a session this accumulates into a complete chapter-wise handwritten notes set which is genuinely saleable to the next cohort, to students who could not attend, and as a standalone product. How to price and position that is in the best platform for selling PDF notes and test series.
One practical caution, since notes travel further than recordings do. A PDF forwards in one tap, so if these become a paid product, deliver them inside your studio behind a login rather than as files sent on WhatsApp, and consider a watermark carrying the student's name. This does not make sharing impossible — nothing does — but it removes the effortless leak, which is the one that actually costs you. The full picture is in how to protect study material PDFs from sharing.
· · ·
Five Mistakes That Make a Board Worse Than a Notebook
A digital board is not automatically an upgrade. Used carelessly it is genuinely worse than a teacher writing in a notebook under a phone camera, and the failure modes are consistent enough to list.
What goes wrong, in order of frequency
Writing at monitor scale. Thin strokes and twenty lines per board. The single biggest cause of silent disengagement.
Erasing to make room. Wiping the first half of a derivation to fit the second half destroys exactly what the student needed to review. Use pages.
Filling the board because it is infinite. An unlimited canvas invites sprawl; students following on a phone need short, finished screens.
Debugging software on air. Every minute spent fixing a layout at the start of class is a minute of attention you do not get back.
Erasing the year. Teaching four hundred boards across a session and publishing none of them, then starting the next session from zero material.
Read that list and notice that four of the five are habits, not purchases. This is the pattern across the whole category: educators arrive believing they have an equipment problem and leave having fixed a practice problem. The digital board is a genuinely good tool for teaching mathematics and science online — it is faster than a physical board, it never runs out of space, it produces a saveable artifact, and it lets you write over a question paper. All of those advantages are available at the entry price, and all of them are forfeited by the habits above.
If being on camera is the part you are avoiding rather than the writing, that is worth naming separately, because a digital board is the standard solution to it. A board-only class with your voice over it is a completely legitimate format, and for many subjects students prefer it — the approach is set out in how to teach online without showing your face.
· · ·
AllCoaching for Board Teachers
The writing surface is yours to choose and free either way. What AllCoaching provides is the third job — the one most teachers skip — plus the business layer around it: the place where the live class is scheduled, the boards are published, the recordings live, and the fees are collected.
What a board teacher gets at ₹0
Live classes with attendance — scheduled to a batch, joinable on a phone.
Board pages published as notes — the day's PDF attached to the batch students already paid for.
Recorded lecture hosting — so a session taught once serves the next cohort.
Notes and test series sold behind a paywall, not forwarded as loose files.
Student records holding batch, attendance and fee history together.
Fee collection by UPI, card, net-banking and EMI, with daily payouts.
Marketplace discovery — students searching your subject and language matched to you.
The economics matter for a category where teachers have usually just spent money on hardware. Setting up costs nothing and the free base plan does not expire; the platform charges a flat 10% only on what you actually sell through it. A teacher running live batches and giving board notes to enrolled students is using the system free; the share applies only when notes, courses or test series are sold. The optional Pro tier (roughly ₹999–4,999/month) adds a custom domain, advanced analytics and priority support, and nothing described here requires it.
The compounding argument is the one about the four hundred boards. A teacher who publishes them ends a session with a complete handwritten chapter-wise set for their subject — an asset that sells to every cohort afterwards without being taught again. A teacher who erases them starts each September from nothing, having done identical work. Over three years the difference between those two teachers is not effort or skill; it is a single habit and somewhere to put the output.
The Strategic Conclusion
We opened by saying the software matters less than the calibration, and with the full picture in view that holds. The best digital-board stack for an Indian educator is free — OpenBoard to write, direct window sharing to deliver, PDF export to capture — and the money that teachers spend in this category is almost always spent on the wrong layer, buying hardware to fix a problem that lives in pen thickness and lines per screen.
The board teachers whose classes actually work share a short list of habits. They have:
Calibrated once on a phone, and never touched the stroke settings again.
Capped themselves at six to eight lines and turned the page instead of erasing.
Kept live delivery boringly simple, and saved the composited setups for recordings.
Chosen tools they can export from, so no shutdown takes their back catalogue with it.
Published every board, ending each session with a chapter-wise notes set instead of an empty folder.
That last habit is the one worth pressing, because it is where a teaching practice becomes a business. India's edtech market is projected to reach ₹2,50,850 crore (US$ 29 billion) by 2030[1], with the online segment compounding at close to 20% a year[2] — and the educators who benefit will be the ones whose work accumulates. A class taught and erased is labour; a class taught and published is inventory.
So the next action is two things, both small. Before your next class, join your own session on your phone and fix your stroke weight — four minutes. Then turn on session export, so tonight's board is saved without you thinking about it. Open studio.allcoaching.in, create your batch, and upload the first day's pages. By the end of this session you will have a notes set you did not have to write, made entirely out of teaching you were doing anyway.
"Teachers ask me which board to buy. The honest answer is that the board you already have is fine, and the four hundred pages you erased last year were the thing worth having."
— Amit Ratan, Founder & CEO, AllCoaching
About the Author
Amit Ratan
Founder & CEO, AllCoaching
"The most under-used asset in Indian teaching is the board a teacher wrote yesterday and wiped this morning."
Amit Ratan is the founder and CEO of AllCoaching, India's AI-driven educator growth marketplace. He has spent over a decade studying why so many gifted individual teachers never build the income their skill deserves — and concluded that the missing piece was never talent or tools, but discovery. AllCoaching is built on the conviction that the individual educator, not only the institution, should have access to a marketplace that gets stronger with every teacher who joins.
Get Started
Stop erasing your teaching. Start publishing it.
Set up your studio on AllCoaching with a single mobile OTP — no credit card, no KYC at signup. Schedule live classes with attendance, publish each day's board pages as chapter-wise notes to your batch, host recordings, and collect fees tied to the right student. ₹0 to set up, a flat 10% only on what you sell (you keep 90%), daily payouts, no lock-in.
No card, no KYC·Keep 90%·Daily payouts·Free base — no expiry
Glossary — Key Terms
Term
Digital Board
Any surface a teacher writes on digitally — an interactive flat panel, a pen display, or a pen tablet paired with whiteboard software. For an online class the term describes the software output the student sees, not the physical device, which is why cheap and expensive hardware can look identical on screen.
Term
Pen Tablet
A drawing pad without a screen, on which the teacher writes while looking at the monitor. Distinct from a pen display, which has its own screen written on directly — the tablet is far cheaper but requires a short adaptation to hand-eye separation.
Term
Palm Rejection
The ability of a writing surface to ignore the hand resting on it and register only the stylus. Without it, a teacher writing naturally produces stray marks, which is the most common reason a touchscreen makes a poor teaching board.
Term
Stroke Weight
The thickness of the digital pen line. It is the single most consequential setting in online board teaching, because a stroke calibrated for the teacher's large monitor becomes invisible when the same board is scaled to a student's phone screen.
Term
Board Capture
Automatically saving each completed board as an image or PDF page during a class. Distinct from screen recording, which captures the session as video — board capture produces static pages that can be sold or shared as notes.
Term
Compositing
Combining board, camera and audio into a single video feed before sending it to students, usually with software such as OBS Studio. It buys layout control at the cost of setup effort, CPU load, and one more component that can fail before a live class.
Term
Infinite Canvas
A whiteboard that scrolls or adds pages without limit rather than confining the teacher to one fixed screen. It matters for subjects with long derivations, where running out of board mid-solution forces an erase that destroys the student's ability to review the steps.
Term
Branded Studio
An educator's own white-labelled space carrying their name, where live classes are scheduled, board notes are published, recordings are hosted and fees are collected. Gives the ownership of a custom app without the cost of building one.
IBEF — India is the second-largest e-learning market after the US; the online education segment is growing at a CAGR of nearly 20%. ibef.org
OpenBoard — free and open-source interactive whiteboard software for schools and universities. openboard.ch
OBS Studio — free and open-source software for video recording and live streaming. obsproject.com
Frequently Asked Questions
What is the best software for live teaching on a digital board?
For most Indian educators the strongest free combination is OpenBoard as the writing surface, shared live through your class platform, with every board exported as a PDF page afterwards. OpenBoard is open-source, purpose-built for teaching, and handles infinite pages and imported documents, which is what long derivations and question-solving actually need. Microsoft Whiteboard and Excalidraw are lighter and fine for discussion or diagrams but weaker for sustained board work. Add OBS Studio only if you want to composite board, camera and audio into one controlled layout, since it costs setup effort and CPU.
Can I use Google Jamboard for online teaching?
No. Google discontinued Jamboard, both the app and the hardware, so it is not a viable choice for a teaching setup you intend to rely on. Teachers who used it have generally moved to OpenBoard for structured teaching, or to Microsoft Whiteboard and Excalidraw for lighter collaborative work. The wider lesson is worth applying to any tool you build a teaching workflow on: prefer software you can export from, so that a product being shut down costs you a migration rather than your entire back catalogue.
Do I need an expensive interactive flat panel to teach on a digital board?
No. An interactive flat panel is a classroom device sold for classroom budgets, and for a teacher broadcasting to students online it changes almost nothing about what the student sees. A pen tablet at roughly ₹2,500 to ₹4,500 produces an identical result on the student's screen, because the student is watching your software output rather than your physical hardware. Buy the panel if you also teach an in-person room that needs it; do not buy it to improve an online class, because it will not.
Why does my digital board writing look unreadable to students?
Almost always because you are calibrating for your own large monitor while the student is watching on a phone. A board that looks spacious on a 24-inch screen becomes illegible when scaled down to six inches, and the student will not tell you — they will quietly stop following. Fix it by writing thicker strokes, using larger text, and limiting yourself to roughly six to eight lines per board before moving to a new page. Check it once on your own phone before your first class and the problem largely disappears.
Should I use OBS Studio for live classes on a digital board?
Only if you want a specific layout that simple screen sharing cannot give you, such as your board with a small camera inset and a fixed title bar. OBS Studio is free, powerful and genuinely worth learning, but it adds a compositing step, consumes CPU, and introduces one more thing that can fail five minutes before a class. Most teachers are better served by sharing the board window directly for live sessions and reserving OBS for recorded lectures, where a retake costs nothing.
How do I save my digital board as notes for students?
Use your whiteboard software's export function to save each board as an image or a PDF page, and set it to export automatically rather than relying on memory. OpenBoard can export a whole session as a PDF document. Then upload the day's boards into your studio as a chapter-wise notes set attached to the batch. The boards are a by-product you are already producing during class, so publishing them costs almost nothing and turns teaching output into an asset students will pay for.
Is a pen tablet or a pen display better for online teaching?
A pen tablet, where you write on a pad while looking at your monitor, is far cheaper and works well once you have adapted to the hand-eye separation, which usually takes a few hours of practice. A pen display, where you write directly on a screen, removes that adjustment entirely and feels natural immediately, but costs several times more. For a teacher starting out, the honest advice is to begin with an entry-level pen tablet and upgrade only if the separation still bothers you after two weeks of real classes.
Do I need separate software for the board and for the class itself?
Usually yes, and it is worth understanding why. Whiteboard applications are built for writing and are not delivery platforms; class platforms are built for delivery and their built-in whiteboards are typically too limited for sustained teaching. The stack most teachers end up with is a dedicated whiteboard application for the writing, a class platform for the live session and attendance, and a studio where recordings, notes and fees live. On AllCoaching the last of those is free, so the only tools you need to choose are the first two.
AllCoaching is India's educator-first marketplace. Schedule live classes, publish your board pages as chapter-wise notes, host recordings and collect fees — all from one free studio, keeping 90% of what you earn.